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From March 28 to June 22 2008, the Fondation Cartier will invite everyone interested to Land 250, a major solo exhibition of the visual work created by Patti Smith, a prominent American artist and performer. The exhibition will feature pieces that appeared in the period between 1967-2007. It will introduce its visitors into Patti Smith’s lyrical, spiritual and poetic universe.
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The expressive voice of the artist is used to magnify the installations developed exclusively for the exhibition, representing a synthesis of photographs, drawings and films.
The name Patti Smith is widely associated with the foundation of the New York punk-rock scene. The artists and performer has been exploring the world of the visual arts and poetry since the late 1960s.
The exhibition at the Fondation Cartier highlights numerous facets of Patti Smith’s creative process. She took her first photographs to be used in collages in 1967. In 1995, she returned to taking photographs using a vintage Polaroid Land 250. Patti Smith greatly enjoyed the immediacy of the process comparing it to the long process of drawing, recording, or writing a poem.
Many of the photographs taken by Patti Smith bear significant personal meaning: Virginia Woolf’s bed, Robert Mapplethorpe’s slippers, Arthur Rimbaud’s utensils, Hermann Hesse’s typewriter and other images are presented as a visual record of the artist’s life, with a lot of time spent in traveling.
The visitors of the exhibition will also be invited to see a selection of the Patti Smith’s drawings, with a few of them borrowed from such prestigious institutions as the MoMA and the Centre Pompidou or from exclusive private collections.
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From March 28 to June 22 2008, the Fondation Cartier will invite everyone interested to Land 250, a major solo exhibition of the visual work created by Patti Smith, a prominent American artist and performer. The exhibition will feature pieces that appeared in the period between 1967-2007. It will introduce its visitors into Patti Smith’s lyrical, spiritual and poetic universe.
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The expressive voice of the artist is used to magnify the installations developed exclusively for the exhibition, representing a synthesis of photographs, drawings and films.
The name Patti Smith is widely associated with the foundation of the New York punk-rock scene. The artists and performer has been exploring the world of the visual arts and poetry since the late 1960s.
The exhibition at the Fondation Cartier highlights numerous facets of Patti Smith’s creative process. She took her first photographs to be used in collages in 1967. In 1995, she returned to taking photographs using a vintage Polaroid Land 250. Patti Smith greatly enjoyed the immediacy of the process comparing it to the long process of drawing, recording, or writing a poem.
Many of the photographs taken by Patti Smith bear significant personal meaning: Virginia Woolf’s bed, Robert Mapplethorpe’s slippers, Arthur Rimbaud’s utensils, Hermann Hesse’s typewriter and other images are presented as a visual record of the artist’s life, with a lot of time spent in traveling.
The visitors of the exhibition will also be invited to see a selection of the Patti Smith’s drawings, with a few of them borrowed from such prestigious institutions as the MoMA and the Centre Pompidou or from exclusive private collections.